Tag: epic fantasy

Gold Standard

As a new writer, still in my original packaging and waiting to be put out on the shelves for people to buy (or not), I am at a weird and enviable stage in my career. Weird, because while I’ve sold a book (or three) my work has yet to be made public, so I’m still Nobody. Enviable, because I’ve successfully leapt the hurdles FINISH THE BOOK, GET AN AGENT and SELL THE BOOK, so I’m kinda Somebody, as well. Enough of a Somebody that I find myself fielding the “how-did-you” questions, enough of a Nobody that I’m easily approachable and still have a few minutes’ free time to spare for giving advice of dubious merit.

One question that is often asked but difficult to articulate, even for writers–perhaps especially for writers, and I imagine other artists as well–is: “How did you DO it?”

Q: “What is the meaning of Life, the Universe, and Everything?”

A: (That one’s easy): 42.

Q: “How did you DO it?”

A: That one’s a bit more difficult…

“How did you DO it?” You ask. Do you mean ‘How did you get an agent’,  or ‘How did you choose a point of view’, or ‘How did you get past editing Chapter One till you’d worn the letters off your keyboard and gave up to go play mini golf’?

All of those and more, of course.

“What writing tools do you use? What is your revision process? How did you decide on POV characters?” The aspiring author sees that first impossible hurdle–FINISH THE BOOK–and asks, “How did you DO it?” When she is really asking, “Can I do it?”

The answer she fears, echoing deep in the dank and slimy pit of her soul, is “No, you can’t.”

That was the answer I always got, anyway. And then my demon would laugh as I shut down Word and logged onto Facebook instead. Because that bitch wants nothing more than for you to give up, so that she may remain in the shadows and nibble at the edges of your soul without interruption.

So, what changed? How did I go from someone who desperately longed to be an author to someone who has written THE BOOK and shepherded it all the way to a sale? How did I elude the ubiquitous lack of self-confidence that hunts artists and eats them for breakfast?

How did I do it? Was it Scrivener? A workshop? A critique group?

Did I sacrifice a goat???

Nope. No goats were harmed in the creation of this book.

I found a superhero, someone who believed in me and my work, someone who cheered me on and freaked out in a good way with every new chapter and wheedled and cajoled and kicked my ass every step of the journey. Someone who believed in me even though I never did. I found my #1 fan.

The Author and her #1 Fan

The Author and her #1 Fan

If you are an artist of any color, the world is going to judge you and find you unworthy. It is likely you will judge yourself unworthy; I know I did. But if you have one person lighting a candle in the darkness for you, one person who hangs your painting on the wall or taps her foot in time to your singing or stays up till two in the morning reading your latest chapter and then threatens to break your arm if their favorite character stays dead…

That’s the good stuff, man. That’s the gold standard.

This one’s for you, Kristine. I couldn’t have done it without you.

I'm writing as fast as I can!

I’m writing as fast as I can!

At a recent visit to the insane asylum. We fit right in.

At a recent visit to the insane asylum. We fit right in.

Is there a book in you?

Many of the people I know, or meet, are aspiring writers. A lot of them are working on their book, or thinking about it, or dreaming about it, or cleaning house in a desperate attempt to avoid THE BOOK. Seriously, everyone I meet seems to think they have a book in them. And some of them really do:

Do you have a book in you? This guy did!

Do you have a book in you? This guy did!

When these folks find out that I found the holy grail signed with a literary agent–and not just any literary agent, mind you, but a SFF rock star–I am immediately inundated with questions. Which I do not mind at all; I’m so new to this game that my first book (sold by said rock star agent) won’t be released till next year. A very short while ago, I was one of those round-eyed aspiring writers. I’d drive down the road practicing my “Yes, I would be delighted to have you represent my book” phone conversation.

It was a good thing I did that, by the way; when I first spoke to my agent by phone, I was calm and professional. The moment I hung up, however, I lost my shit. Seriously, I called my first reader to tell her the news and she didn’t even recognize my voice.

Most of the questions I hear are along the lines of:

Question #1:  “Are you rich yet?”

Question #2:  “How do I get an agent and sell my book?”

Answer #1:  Hahahahahahahahahahahahahaaaaaa *gasp* hahahahahahahahaaaa. snort. giggle. heh. Nope. I’m pleased with the advance I received from Titan Books; it was enough to replace the clutch in my old car, replace the appliances that quit working because I had money coming in, pay some bills, and buy a bottle of good whiskey. Median advances for a debut fantasy novel are in the $7k range, folks; that’s not going to buy a castle in Scotland. But it does show that my publisher has faith in my book’s potential, which makes me happy, and pays a bit of rent, which makes my landlord happy.

Answer #2:  Have you finished writing your book? I know, because I’ve been you, that this is not the non-answer you really want to hear. And you’re not alone:

‘Some writers enjoy writing, I am told. Not me. I enjoy having written.’

~George R.R. Martin

You want to pick up the phone, describe your awesome story to the world’s greatest agent, who was sitting by the phone hoping you’d call so he could send the gold-plated contract that’s been sitting on his desk forever just waiting for your signature. Oh, and he’s got a dozen Big 5 editors ready to bid against one another for the chance to publish your book in a special gold-plated edition bound in human skin.

I feel your pain, I really do. But that’s not how this works. No agent is going to want to represent that book if it’s still in you, covered in your guts and mucus and DNA goo. You’re going to have to get that bitch out into the fresh air, and clean the slime off so it’s all shiny and pretty. It’s going to hurt, it’s going to drive you crazy, and it’s going to take more effort and commitment and sheer cussedness than you think you can take. I gave birth four times, without drugs, to babies who weighed in at just under ten pounds each. And that was nothing compared to writing my first book.

I didn’t think I could do it.

I did it.

And you can do it, too.

Now, I have some good news for you: writing a book isn’t all talent and inspiration and serendipity. As a matter of fact, if I were to make a pie chart called Writing a Book and demonstrate the percentages of talent/inspiration/dreamy shit versus time spent banging your head on a brick wall, tenacity, tendonitis, and building your skill set as a writer, the happy-skippy-muse stuff would be a smear of whipped cream on the bottom of the pie plate. Talent and inspiration and all that are wonderful if and when you have them, but most of the work of writing a book can be accomplished by SITTING YOUR ASS DOWN AND WRITING. And your writing skills can be acquired, built upon, and honed.

The bad news? Bullshit excuses won’t get your book written, and frankly nobody wants to hear them.

RECAP:

1: If you’re human, there’s a good possibility that you want to write a book.

2: You’re not going to get an agent or sell your book until you write the damn thing.

3: You’re probably not going to get rich selling your book, but what the hell, it’s still awesome.

4: It’s possible for you to write that book you’ve been dreaming of and get it published–or publish it yourself.

5: I don’t want to hear your bullshit excuses for not finishing your book, and neither does anyone else.

For those of you who keep your ass in the chair long enough to get this thing done, I’ll be writing about how I went about finding my rock star agent, and why he agreed to work with me.

Also…as great as you think it might be to finish that book, get an agent, and get published? You’re wrong. It’s so much better than that.

 

Jai tu wai,

 

Debi

Ramblins and ravens

So, the fine folks over at the Grim Tidings podcast invited me to the rambling round table, and we had a delightful chat.

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The Grim Tidings Podcast with Deborah A. Wolf

We talked about the writing process, getting published, controversies in popular fantasy, and weiners.

We talked a lot about weiners.

Thanks for having me over, guys, I had a great time!

Jai tu wai,

Debi

Knee to the Face

Chuck Wendig’s blog post on defending the inclusion of *that rape scene* is spot on, and much more gentlemanly than my own response, which is a knee to the face. Because, you know, knee-jerk feminist alarmists

Chuck Wendig’s Gentlemanly Post: YOUR DEFENSE OF THAT RAPE SCENE MAKES YOU SOUND KINDA GROSS

“You’re just mad because a character you like had a bad day!”

The backlash isn’t about the use of rape in a single scene in a single episode of a single show, any more than the Ferguson riots were about a single incident of police brutality. It’s about a pattern of using rape scenes as a go-to plot device. It’s not about “Oh no, Sansa got raped!” so much as “Seriously, another rape? Can’t you show us anything else?”

Also, I don’t like Sansa. I find her vapid.

Also, being raped is not like stubbing a toe, so let’s not treat it in such a cavalier manner.

“Oh, but they lopped Theon’s dick off!”

Yes, and if they had also lopped off the weiners of Robert, Ned, Littlefinger, Jaime, Tyrion, Sam, and the Hound, you’d probably think that was excessive. You’d start wondering whether the writers hated men or something…or maybe they just like to watch weiner-lopping.

“Historical accuracy! Women got raped!”

If you’re going for historical accuracy in a medieval setting, you should have fewer full sets of even white teeth. Perhaps instead of rape, you should have half your cast die of typhus. But that would feel odd, wouldn’t it? Having the same thing happen over and over again to a bunch of different characters, for no apparent reason?

Also, this is fiction, stupid. Anything that happens in a fictional world is a choice made by that world’s creator or creators…unless Annie Wilkes is standing over you with a mallet. And I’m thinking that if Annie Wilkes was standing over you with a mallet, you’d find something besides rape to write about.

“They burned a lot of people alive, too. Why aren’t you yelling about that?”

True, they have burned a lot of people alive in this particular show. And I’m sure that if a significant percentage of the show’s intended audience–you know, people–had suffered the experience of being burned alive, they might find the minimization and normalization of their experience traumatic.

But I’m not just talking about this show.

Plus, this argument really makes you look like an asshole. I’m not a proctologist, so I don’t have to deal with assholes.

“But the scene shows that Theon…”

Stop. Stop right there. If you want man-pain, take off your cup and come spar with me.

 

Entertainment is neither created nor enjoyed in a vaccuum, and if you don’t understand that rape in popular culture and rape culture and rape in real life are related, then you are THICK IN THE GODDAMN HEAD and unlikely to be cured even by a knee to the face.

Maybe.

Maybe instead of me explaining–again–why I don’t enjoy watching a woman get raped in three episodes out of four in a show I otherwise really like, you should explain to me why you *do* enjoy it.

Think about it, eh?

Jai tu wai

Debi

Wake the Bear!

So, the other day I was asked by a nice young writer whether and how a group might sneak past a hibernating bear in its den without waking it. He wanted to write a believable scene and wanted to ask a real barbarian how such a thing might be accomplished.

Can’t fault him for that, I suppose, but I was horrified.

I mean, what a waste of a perfectly good bear.

I get it, I really do. You love your character and don’t want anything bad to happen to her. You’ve probably got an end scene already in mind, complete with explosions and disemboweled villains and teeth-rattling Epic Victory guitar solos. As she takes the path from Innocent Farmgirl to Cyborg Pirate Queen, you want to wrap her in cotton and bubble wrap and Northern Quilted Bathroom Tissue. The first time Sulema ever rode through the Valley of Death, she was able to sneak through without much of anything happening to her. Phew!  Made it!

And then I thought, wait a minute…I’ve got this perfectly good Valley of Death, and she just SNEAKS THROUGH UNSCATHED? Why would I do that? Do I hate my readers? I promised them the Valley of Death and gave them the Valley of Nothing Ever Happens.

So, yeah, spoiler alert: nobody rides through the Valley of Death unscathed, not anymore.

If you’ve got a cave with a bear in it, for fuck’s sake, wake the bear! Let it chase your characters, maul a couple, maybe eat one. If your cave doesn’t have a bear, throw one in there. Give her babies to protect and take away her coffee. And maybe an earthquake too for good measure.

Make your characters pay for daring to be in your story, because the payoff for your story–and for your readers–will be sweet as honey eaten from the skull of an enemy.

Jai tu wai,

Debi

Most Auspicious News

I am delighted to announce the sale of the first three books in my saga, THE DRAGON’S LEGACY, to Titan Books.

Congratulations to Deborah A. Wolf on the new book deal:

Deborah Wolf’s THE DRAGON’S LEGACY (Books 1-3), pitched in the tradition of Guy Gavriel Kay’s THE SARANTINE MOSAIC and the darker folkloric tales of ARABIAN NIGHTS: set in a desert world of sand and honey, the series balances and contrasts the grim with the wondrous, the heartbreaking with the humorous, and takes an unflinching look at real-world issues such as the plight of indigenous peoples in a world mad for power, to Alice Nightingale at Titan, by Mark Gottlieb at Trident Media Group.

Worldbuilding: Geek Love

Sharing a short excerpt from today’s worldbuilding exercise: I’m writing a concise history of Atualon.

The Wyvern’s Rebellion

Solarus ap Serpentus ne Atu, during a visit to the capital city of Khanbul, abducts the young Imperial Princess Zhaolin and installs her as his Consort. Emperor Pu Yet Sin seds his fifteen-year-old son Ghanzhi as an Imperial envoy to Atualon to secure her release or, failing that, demand an Imperial dowry and instatement of Zhaolin as Sa Atu. Ghangi, against his father’s explicit orders, demands his sister’s immediate and unconditional return, but Serpentus laughs in his face and tosses the Imperial Prince into the dungeons of Atukos.

When the Emperor learns of his son’s disobedience he disowns the boy and refuse to pursue the matter further. Imperial Prince Tiachu is named Heir and immediately challenges his father to mortal combat, which he wins. Emperor Tiachu then raises an army and sends it west to Atualon.

The Matreons of Atualon, fearing war, demand that the Imperial Prince and Princess be returned immediately to Sindan, and reparations paid as well.  But Solarus has already defiled the girl and it is reported that the boy prince has taken wetlung and is not expected to live.  The Matreons are divided in their responses to this outrage; some demand that Solarus be stricken from the line of succession, others that he be allowed to succeed his father but required to install the girl as Issa Atu and pay reparations to the new Emperor.  When Serpentus refuses to negotiate with the Matreons, the Matreons return to their Houses and take up the matter with their Patreons.

Several of the Houses issue a Denuntiatio, or formal intent to remove House Serpentus from the throne.  Serpentus declares all titles and lands belonging to the families whose Patreons have signed the Denuntiatio forfeit.  Houses Ursos, Equos, Corvos, and Wyvernos raise the standard of rebellion.

And that’s all I’m going to tell you, for now.

 

Jai tu wai!

Debi

The Forbidden Kingdom

Just a quick note to let you know that if you like THE DRAGON’S LEGACY, you are going to love The Forbidden Kingdom, Book 2 of THE DRAGON’S LEGACY.

Here’s a quick teaser:

Sundered

The wind was born of a Twilight Lord, playing a seashell flute. Webbed fingers strong and sure danced across the smooth shell as they had once danced across the skin of a human girl, delicate and sweet and all things good. That girl was gone, just as the meat was gone from this shell, leaving only the memory of beauty and faint notes in the wind. But the sea was still the same, and the song was still the same, curling round his heart thick and slow as the fog that shrouded the Sorrowful Isles.

Born of sea and sand and the cries of a wounded heart, the wind danced in rage and longing across the Sundered Sea, rousing the waves of Nar Kabdaan to wrath and ruin as they cast themselves, again and again, to die unmourned upon the heartless shores of Bizhan. The waves were born, they struggled, they died, one after another like soldiers caught in a dream of war.

The wind was heavy with salt, and the dreams of sea-witches, and the tears of lost souls. It struck at the jagged rocks, tore at the sharp grasses like a madman tearing at his own hair, it howled at the gates like the voices of a thousand ice wolves buried in fear, forgotten to legend, lost, lost, lost. The howling woke the Halfkin Child, because the song of wolves round a campfire can never truly be forgotten by the children of Man, no matter how deeply they hide it from their thick and stubborn hearts. The Child rose, he slipped from his bed and from his mother’s hearth and stumbled down the rocky path to the sea; and because he, too, could hear the howling of the wolves, could feel them singing in the shadows of his heart, the Twilight Lord put down his flute and swam to the shores of Man. The moons were faded, half-empty and without power, but he had broken so many laws already that one more could hardly matter.

 

Now, kindly leave me alone to write.

Jai tu wai,

Debi

There once were a bunch of WriMos…

I participated in my first writers’ group this weekend.

I attended a writers’ luncheon a few years back, but I would not say I participated.  For one thing, it was supposed to be a potluck, but besides my Pineapple Stuff (pineapple bread pudding, my usual what-the-hell-to-bring fallback), and perhaps some cheese and crackers, the other writers only brought coffee and wine.  I made a joke about how we as writers are supposed to avoid clichés, not live them, and was met with an awkward silence.

And then things got a little weird.

A few people stood up and read or recited some of their poetry.  Now, I love good poetry.  I don’t really get it—I fear I’m as deep as a mud puddle—and I can’t write it.  I can do a pretty good Robert Service type story with rhyme and cadence, and I can turn out a dirty limerick without a second thought, but real, true poetry is something I can only gaze at from afar.  If I hear a poem about a tree, I don’t think, “Wow, what a beautiful representation of the meaning of life well lived.”  I think, “Trees.  I like trees.”

The stuff my fellow writers were spouting left me sitting in the corner with that odd expression you get on your face when you’re sitting in a German pub and everyone else is smoking and speaking German, and you do neither.  Then someone got up and dragged in a tree branch they’d splattered with paint and strung with wire, beads, and what appeared to be a voodoo doll.  I took my empty casserole dish and never looked back.

But this group was different.  It was a local NaNoWrimo thing, and they were singing the song of my people.

NaNoWriMo, for those of you cursedly sane folks who have never heard of it, is an exercise in frustration, insanity, art, and the neglect of all things domestic.  The official definition is:

NaNoWriMo

National Novel Writing Month (NaNoWriMo) is a fun, seat-of-your-pants approach to creative writing. On November 1, participants begin working towards the goal of writing a 50,000-word novel by 11:59 PM on November 30.

You can learn more about NaNoWriMo here: http://nanowrimo.org/about

But I stand by my words.  NaNoWriMo is great for the coffee industry and possibly the whiskey industry, but not so great for family members who wish to be fed, driven to school, or spoken to during the month of November.

Yeah, yeah, cry me a river.

We were back in the woods, away from normal humans, just the way I like it.  Everyone spoke of their projects for November, and I really hope everyone finishes their stories because some fabulous ideas were presented.  Someone gave a little speech about worldbuilding, a topic new and fascinating to those who write literary fiction; we spoke of characters and plot, tension and frustration, exciting hooks and sagging middles.

I find that speaking with other writers is almost a meditative experience; I left feeling grounded, and validated, and excited about this year’s NaNoWriMo.

I will be working on Heart of the Forbidden City, Book 2 of Song of the Sun Dragon.  I will be drinking a lot of coffee, talking to myself, and probably losing a bit of sleep.

I will not be doing laundry.

 

Jai tu wai,

 

Debi

Sometimes, it Works

Chapter 30 was a pain in my ass.

Since I decided, with excellent help and coaching, to shorten this book by 30 chapters (120k words +/-), I noticed that one of my pov characters ends up with only two chapters in this book. No spare room for a mediocre chapter (not that there’s ever any excuse for a mediocre chapter). I had to turn what was supposed to be a bridge into a shining landscape.

Chapter 30 was a pain in my ass.

Since her character arc was ending so abruptly, I was caught a bit short.  How do I showcase her importance in two scenes? How to leave my audience wanting more of her? Should I just cut her out as a pov character? (Nope, can’t do that, she’s a load-bearing wall in this story). Spent a whole day writing a scene with this character in Atualon, decided that was ‘meh’, spent another day banging my head on the brick wall…and then on Thursday I finished it. It was okay. It was pretty good. I had most of the words in the right order.

Friday morning, on the way into town, it hit me as if that brick wall had fallen on my head. I didn’t have any time to write until that evening–even writers have to pay rent–so I let it percolate in my hindbrain all day long.  Got home and struggled with writing it because it’s an intense scene (edited for spoilers, but it’s killing me not to tell you).

Chapter 30 was a pain in my ass. And it’s the best thing I’ve ever written. I can’t wait to share it with you.

Jai tu wai,

Debi