Tag: sell your book

The Real Secret to Getting a Literary Agent

Or:

How to succeed in your search for literary representation, sell your book, and ultimately buy a castle in Scotland so your kids can go to Hogwarts.

With a special nod to Daniel Weaver, whose books will eventually earn millions and you heard it here first.

 

So. You’ve got a book written (if you haven’t finished writing your book, get off my damn page and go write your fucking book, goddammit, this is your writing time and you’re wasting it on this shit???) …and I mean written. Finished, done, ping, the end, edited a fucktillion times and shiny and all ready to go. You’ve researched literary agents and found one that you HAVE to have, because your manuscript is brilliant, right? The most brilliant thing since toothpaste in a tube. You’ve also found a few that aren’t Agent #1, but Agent #1 probably won’t look at your manuscript anyway because it’s the worst idea since toothpaste in a jar, right?

Yeah, we’re all little balls of angst wrapped up in precious snowflake paper. You are not alone. (Okay, I lied, you really are. To write a Book of Power is to be alone.)

You get your first ten thousand words/first three chapters /synopsis/OMG are you serious, all this awesomeness in a one-page outline? Crap!/ all ready to go, and you write the most beautiful and succinct and engaging query ever to make the rounds of the Halls of Agents, and you send off a batch of queries, kissing them on the cheek and waving goodbye to the school bus with tears in your eyes, knowing that your little darlings are going to come home that evening with offers of representation and sales contracts all ready for you to sign.

You’re so cute, all eager and optimistic. Let me look at you for a moment and weep for what is to come.

Most of your darlings are never heard from again (maybe you shouldn’t have queried Pennywise the Clown. Just sayin’). The ones that do come back tumble off the bus crying, with skinned knees and black eyes and swollen lips, and stories of school bullies and horrible, horrible math teachers.

Congratulations, Aspiring Author! You have received your first round of rejections. Now it’s time to get to the shopkeeper and buy your ultimate weapon:

Big Girl Panties. +1 Constitution, +3 Resolve, and they’re waterproof besides.

After you pull those ugly buggers up and mop your snotty, tear-stained face, and brush the taste of whiskey from your mouth, it’s time to take a look at what the rejection letters say. If they say anything at all, that is huge. Scribbled notes and encouraging one liners are gold. Sometimes you’ll get the polite equivalent of “keep your day job”, if you HAVE a day job, and if you’re good at keeping one, which a lot of writers aren’t. Sometimes you get good advice.

And sometimes you get “I loved this, but…” your book is too weird. Doesn’t fit in. Too much like every other book in your genre. Not enough like every other book in your genre (yes, I’ve gotten both of those, and in the same week.) If an agent looooves your book, this is a very good sign.

And right now you want to hit me over the head with something (don’t. I can take you.) because “I loved this but…” is NOT an offer of representation, right?

And here’s where I tell you the ONE THING you need to know about traditional publishing:

Traditional publishing is nuts.

Traditional publishing is no longer a venerable editor hiding in a dungeon of magical books, wheezing as he labors to make your manuscript a Book of Power (meaning he deletes that one comma you had out of place, of course, snowflake) and grooming you to be the Tolkien of your generation. The big publishing houses have all been bought up by goblins—actual goblins, I am not speaking in metaphors—and as we all know, goblins care for nothing but the bottom line.

(Yes, I am doing this so that I can avoid using actual numbers and showing my sources and shit. Trust me: my version is close enough to the truth to bite it in the ass.)

These trolls keep our beloved editors chained in dungeons (or worse, CUBICLES) where they slave away at—you might want to peek through your fingers at this one, it’s horrifying—PROFIT AND LOSS STATEMENTS.

Go ahead, cry. Have a shot of whiskey. I know I did.

That’s right, Buttercup. Before the Dark Editorial Overlord can make an offer on your magical manuscript, she has to run it through a gauntlet of red and black ink, and prove that it can make money for the goblins, who don’t even read. Then she has to show it to the other editors, who also have to prove that it will sell, and take it to a committee, who will want to run it through the numbers…

Agents know this. Agents don’t make money unless they sell books, and they sell books to these editors, who have to run everything through the goblin overlords before releasing any money or all these fine people risk losing their jobs. So it’s impossible for an agent to offer representation to something that can’t be sold, and it’s impossible for an editor to run a profit and loss statement on something that hasn’t been done before, because DUH. NUMBERS.

You get the idea. Traditional publishing is about the numbers, not the words.

But…

Always.

But my book…

No.

But I’m diff…

Stop. Just stop. As one of my Arabic instructors was fond of saying, “It is always, always, always this way. Except when it is not.”

Yeah, you perked up at that last bit, right? That’s the secret to getting your (well written, edited to death, ready to fly off the bookshelves) book agented, and sold, and ultimately roll in the dragon’s hoard (which only LOOKS like a small pile of one dollar bills) that will be the end reward for all your hard work. The one thing you need to know about publishing? The big secret to success is:

Agents are crazy. So are editors. You have to be certifiably batshit to ever think this can work, and these people believe, deep down, that this can work, that they can reach down into a dark pit of sludge and adverbs and horrifyingly bad sex scenes and draw forth something beautiful and brilliant and new. And they can get this thing past the goblin overlords and into people’s hands, where they will read it!

If you write a good book (again, if you haven’t done this yet, get off the internet and finish the damn thing, knucklehead), even a great book, one that is close enough to your genre that readers will love the things they love, and new enough that readers will put it down feeling that they’ve had a wonderful new adventure, if you follow the rules of querying (write a killer query letter, do your research, follow submission guidelines and for the love of Cthulhu don’t be a dick) and just keep at it, head-down horns-out and plowing through the screaming crowd like it’s not even there, eventually this will happen:

Somewhere, in an office that reeks of rotting dreams, an agent will be sitting with his head in his hands, hating life. He got into this business because he loves books and he dreamed of big things, of better things, of making the world a more magical place. If he has to run one more brilliant manuscript through that damn Excel spreadsheet, if he has to do one more “Harry Potter meets Twilight” comparison, he’s gonna…

That’s it. He’s had enough. He’s gonna quit and go sell cars with his uncle Patty in Detroit. But before he goes, by gum, he’s going to do one thing right. If he’ going to throw his career down the shitter, he’s going to do it in style, he’s going down in flames. There will be a day when an agent says “Fuck it!” and offers to represent a brilliant new author because he LOVES THE BOOK, dammit, and today is that day!

Fire in his eyes, he logs into his email and…

Crap.

Crap.

Crap.

Adjective hell.

Paranormal porn, wtf…

And then your query shines forth, like a shining white hand rising from the misty lake, offering up treasure. This is it! THIS is why he took this rotten job in the first place!

Knowing full well that he’s throwing away a lucrative career, (almost as lucrative as the average author’s, one hopes), he pounds out an offer of representation.

This is the literary equivalent of the vorpal sword, and snicker-snack, and galumphing with a severed head, and so forth. The agent will have sobered up by the following Tuesday–agents have to eat, too, one cannot subsist solely on a diet of shattered dreams–so make sure you snatch up that offer of representation before he regains his sanity.

Okay, you ask, but how can my agent (who is trying not to show he has buyer’s remorse, and will work three times as hard to sell your book because now his career is on the line and he really does not want to sell cars) sell this book to an editor, who cannot rationally make an offer on a book that doesn’t fit into the numbers game?

Heh. You said “rationally”.

Some day, perhaps some day soon, an editor will be sitting at her desk, head in hands, weeping with despair, and she will also have a moment of disconnect from reality and decide that TODAY is the DAY…

So, there it is. If you have written a very good book, the best you can write, the best book every written, by Smaug’s hairy toes…if you do your research and query by the book and don’t be a dick, it is a statistical certainty that eventually you will hit the perfect convergence of insanity between an agent and an acquisitions editor, and your book will sell.

And then comes the hard part.

Hey, I never said this story had a HAPPY ending. Suck it up, Buttercup; we’re all mad, here.

 

Jai tu wai,

 

Debi

 

How I got my rockstar agent

Well do I know the angst and anxiety that go along with being an aspiring author. As I am new to publishing, myself, but have already garnered some level of success (I did just sign my second multi-volume contract in less than a year) I’d like to pay forward a bit of the excellent advice that’s floating around out here in the help-me-o’sphere. And I’ll begin near the end, by telling you how I got not just an agent, but a rockstar agent with Trident Media Group.

Nothing Left to Lose

It took a series of disasters to knock me down to rock bottom, a dogged, desperate, forget-all-wisdom commitment to drop out of life for a year or so and finally write that book I’d been dreaming of for decades, and a good friend who believed in me when I couldn’t find the courage to believe in myself, but I’d finally done it: I had finished writing THE DRAGON’S LEGACY.

A Ridiculous Book

It was a bit of a ridiculous book, even by fantasy standards. I had a 170,000-word manuscript with two prologues and an unwieldy number of point-of-view characters. I knew my book had a lot going for it, but I also knew that it would be a hard sell in today’s market. In order to get the agent I needed, I would need to master the submission process.
I needed the perfect query, a persistent mindset, and maybe a little bit of luck.

The Perfect Query

Since this book would be an exceptionally tough sell, and because I am Queen of the Scatterbrains, I first set out to understand the submission process and get my ducks in a row. I’d been stalking researching literary agents for months, making short and longer lists of agents who represented books like mine. Some of these agents wanted ten pages, some wanted ten pages and a synopsis, some wanted fifty pages, some just wanted a query. I spent a couple of weeks reverse engineering successful query letters, struggling to transform the Gordian knot I called an outline into two pages of something that made sense, writing a synopsis (I’d rather be waterboarded than write a synopsis of a 170k word count multi-pov fantasy novel ever again, thank you very much) and saving the first chapter, first three chapters, first ten pages, and so forth in separate files. Then I created a spreadsheet of agents I would love to work with, their submission requirements, books they had represented, and what they were currently looking for. I felt that it was important for me not only to be able to describe my book, but also to show that I had done my research and was taking a professional approach to writing.

A Persistent Mindset

My initial goal was simple: I would query one agent a day, using my already-assembled materials, until I reached the end of my list of dream agents, and then I would start a new list. Though it was more than a little intimidating, I started with those agents who are known to be the very best in my genre, those who represent the books I love to read. I can’t say that I honestly believed I would get such an agent, but I’d never really believed I could finish this book, either, so what the heck.

A Little Bit of Luck

One of my favorite places to write is my local bookstore-slash-café. I was getting ready to send off a second round of queries, so I stopped in for a tub o’ coffee. They were brewing a new pot, so I had about two minutes’ worth of free time, and because of this I wandered over to the magazine section and picked up the latest issue of Writer’s Digest. In that issue I found a Literary Agent Spotlight:
http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/literary-agent-spotlight-mark-gottlieb-of-trident-media-group
I thought I needed a grouchy old white-haired guy with a wrinkled sweater and a basement full of musty old books. This agent was young, and new, and…holy cow, he was with Trident Media Group, which was at the very pinnacle of my wish list. There’s no way, I figured, a novice author with a weird book could ever get such an agent. But I steeled my last nerve and submitted my query letter through Trident’s site. Then I refreshed my email inbox to make sure my submission had gone through.
There, not two minutes after clicking ‘submit’, was a request for a full manuscript.
After taking a lot of deep breaths, and with shaking hands, I emailed my entire manuscript to Mark Gottlieb…
…who took the weekend off to read it…
…by Sunday afternoon, Mark had finished reading my manuscript and sent me another email, this one indicating that he would like to speak with me regarding representation.
Within four months, Mark had sold THE DRAGON’S LEGACY in a three-book-deal to Titan Books; it will be released in hardcover Spring 2017. Less than a year later, my rockstar agent sold my second book, DAUGHTER OF THE MIDNIGHT SUN, also to Steve Saffel of Titan Books in a two-book deal, also set to be released Spring 2017.
Write a good book, write a good query letter, do your homework. And dare to dream big.

Gold Standard

As a new writer, still in my original packaging and waiting to be put out on the shelves for people to buy (or not), I am at a weird and enviable stage in my career. Weird, because while I’ve sold a book (or three) my work has yet to be made public, so I’m still Nobody. Enviable, because I’ve successfully leapt the hurdles FINISH THE BOOK, GET AN AGENT and SELL THE BOOK, so I’m kinda Somebody, as well. Enough of a Somebody that I find myself fielding the “how-did-you” questions, enough of a Nobody that I’m easily approachable and still have a few minutes’ free time to spare for giving advice of dubious merit.

One question that is often asked but difficult to articulate, even for writers–perhaps especially for writers, and I imagine other artists as well–is: “How did you DO it?”

Q: “What is the meaning of Life, the Universe, and Everything?”

A: (That one’s easy): 42.

Q: “How did you DO it?”

A: That one’s a bit more difficult…

“How did you DO it?” You ask. Do you mean ‘How did you get an agent’,  or ‘How did you choose a point of view’, or ‘How did you get past editing Chapter One till you’d worn the letters off your keyboard and gave up to go play mini golf’?

All of those and more, of course.

“What writing tools do you use? What is your revision process? How did you decide on POV characters?” The aspiring author sees that first impossible hurdle–FINISH THE BOOK–and asks, “How did you DO it?” When she is really asking, “Can I do it?”

The answer she fears, echoing deep in the dank and slimy pit of her soul, is “No, you can’t.”

That was the answer I always got, anyway. And then my demon would laugh as I shut down Word and logged onto Facebook instead. Because that bitch wants nothing more than for you to give up, so that she may remain in the shadows and nibble at the edges of your soul without interruption.

So, what changed? How did I go from someone who desperately longed to be an author to someone who has written THE BOOK and shepherded it all the way to a sale? How did I elude the ubiquitous lack of self-confidence that hunts artists and eats them for breakfast?

How did I do it? Was it Scrivener? A workshop? A critique group?

Did I sacrifice a goat???

Nope. No goats were harmed in the creation of this book.

I found a superhero, someone who believed in me and my work, someone who cheered me on and freaked out in a good way with every new chapter and wheedled and cajoled and kicked my ass every step of the journey. Someone who believed in me even though I never did. I found my #1 fan.

The Author and her #1 Fan

The Author and her #1 Fan

If you are an artist of any color, the world is going to judge you and find you unworthy. It is likely you will judge yourself unworthy; I know I did. But if you have one person lighting a candle in the darkness for you, one person who hangs your painting on the wall or taps her foot in time to your singing or stays up till two in the morning reading your latest chapter and then threatens to break your arm if their favorite character stays dead…

That’s the good stuff, man. That’s the gold standard.

This one’s for you, Kristine. I couldn’t have done it without you.

I'm writing as fast as I can!

I’m writing as fast as I can!

At a recent visit to the insane asylum. We fit right in.

At a recent visit to the insane asylum. We fit right in.

Is there a book in you?

Many of the people I know, or meet, are aspiring writers. A lot of them are working on their book, or thinking about it, or dreaming about it, or cleaning house in a desperate attempt to avoid THE BOOK. Seriously, everyone I meet seems to think they have a book in them. And some of them really do:

Do you have a book in you? This guy did!

Do you have a book in you? This guy did!

When these folks find out that I found the holy grail signed with a literary agent–and not just any literary agent, mind you, but a SFF rock star–I am immediately inundated with questions. Which I do not mind at all; I’m so new to this game that my first book (sold by said rock star agent) won’t be released till next year. A very short while ago, I was one of those round-eyed aspiring writers. I’d drive down the road practicing my “Yes, I would be delighted to have you represent my book” phone conversation.

It was a good thing I did that, by the way; when I first spoke to my agent by phone, I was calm and professional. The moment I hung up, however, I lost my shit. Seriously, I called my first reader to tell her the news and she didn’t even recognize my voice.

Most of the questions I hear are along the lines of:

Question #1:  “Are you rich yet?”

Question #2:  “How do I get an agent and sell my book?”

Answer #1:  Hahahahahahahahahahahahahaaaaaa *gasp* hahahahahahahahaaaa. snort. giggle. heh. Nope. I’m pleased with the advance I received from Titan Books; it was enough to replace the clutch in my old car, replace the appliances that quit working because I had money coming in, pay some bills, and buy a bottle of good whiskey. Median advances for a debut fantasy novel are in the $7k range, folks; that’s not going to buy a castle in Scotland. But it does show that my publisher has faith in my book’s potential, which makes me happy, and pays a bit of rent, which makes my landlord happy.

Answer #2:  Have you finished writing your book? I know, because I’ve been you, that this is not the non-answer you really want to hear. And you’re not alone:

‘Some writers enjoy writing, I am told. Not me. I enjoy having written.’

~George R.R. Martin

You want to pick up the phone, describe your awesome story to the world’s greatest agent, who was sitting by the phone hoping you’d call so he could send the gold-plated contract that’s been sitting on his desk forever just waiting for your signature. Oh, and he’s got a dozen Big 5 editors ready to bid against one another for the chance to publish your book in a special gold-plated edition bound in human skin.

I feel your pain, I really do. But that’s not how this works. No agent is going to want to represent that book if it’s still in you, covered in your guts and mucus and DNA goo. You’re going to have to get that bitch out into the fresh air, and clean the slime off so it’s all shiny and pretty. It’s going to hurt, it’s going to drive you crazy, and it’s going to take more effort and commitment and sheer cussedness than you think you can take. I gave birth four times, without drugs, to babies who weighed in at just under ten pounds each. And that was nothing compared to writing my first book.

I didn’t think I could do it.

I did it.

And you can do it, too.

Now, I have some good news for you: writing a book isn’t all talent and inspiration and serendipity. As a matter of fact, if I were to make a pie chart called Writing a Book and demonstrate the percentages of talent/inspiration/dreamy shit versus time spent banging your head on a brick wall, tenacity, tendonitis, and building your skill set as a writer, the happy-skippy-muse stuff would be a smear of whipped cream on the bottom of the pie plate. Talent and inspiration and all that are wonderful if and when you have them, but most of the work of writing a book can be accomplished by SITTING YOUR ASS DOWN AND WRITING. And your writing skills can be acquired, built upon, and honed.

The bad news? Bullshit excuses won’t get your book written, and frankly nobody wants to hear them.

RECAP:

1: If you’re human, there’s a good possibility that you want to write a book.

2: You’re not going to get an agent or sell your book until you write the damn thing.

3: You’re probably not going to get rich selling your book, but what the hell, it’s still awesome.

4: It’s possible for you to write that book you’ve been dreaming of and get it published–or publish it yourself.

5: I don’t want to hear your bullshit excuses for not finishing your book, and neither does anyone else.

For those of you who keep your ass in the chair long enough to get this thing done, I’ll be writing about how I went about finding my rock star agent, and why he agreed to work with me.

Also…as great as you think it might be to finish that book, get an agent, and get published? You’re wrong. It’s so much better than that.

 

Jai tu wai,

 

Debi

Wake the Bear!

So, the other day I was asked by a nice young writer whether and how a group might sneak past a hibernating bear in its den without waking it. He wanted to write a believable scene and wanted to ask a real barbarian how such a thing might be accomplished.

Can’t fault him for that, I suppose, but I was horrified.

I mean, what a waste of a perfectly good bear.

I get it, I really do. You love your character and don’t want anything bad to happen to her. You’ve probably got an end scene already in mind, complete with explosions and disemboweled villains and teeth-rattling Epic Victory guitar solos. As she takes the path from Innocent Farmgirl to Cyborg Pirate Queen, you want to wrap her in cotton and bubble wrap and Northern Quilted Bathroom Tissue. The first time Sulema ever rode through the Valley of Death, she was able to sneak through without much of anything happening to her. Phew!  Made it!

And then I thought, wait a minute…I’ve got this perfectly good Valley of Death, and she just SNEAKS THROUGH UNSCATHED? Why would I do that? Do I hate my readers? I promised them the Valley of Death and gave them the Valley of Nothing Ever Happens.

So, yeah, spoiler alert: nobody rides through the Valley of Death unscathed, not anymore.

If you’ve got a cave with a bear in it, for fuck’s sake, wake the bear! Let it chase your characters, maul a couple, maybe eat one. If your cave doesn’t have a bear, throw one in there. Give her babies to protect and take away her coffee. And maybe an earthquake too for good measure.

Make your characters pay for daring to be in your story, because the payoff for your story–and for your readers–will be sweet as honey eaten from the skull of an enemy.

Jai tu wai,

Debi

Do you want to sell your book?

…or are you thinking about the next ten years?

I ran across this question while reading comments made by Elizabeth Weed of Weed Literary LLC http://weedliterary.com/ regarding the role of a literary agent in shaping an author’s career:

http://writerunboxed.com/2014/04/13/an-agents-role-in-shaping-an-authors-career-and-the-second-book/#comments

This is an excellent question, and one I’ve spent a lot of time thinking about.

…you know, when I’m not raising kids, working full time, working on my Masters’ thesis, or finishing up my 180,000 +/- word count beast of a doorstopper manuscript.

So, do I want to sell my book, or am I thinking about the next ten years?

I don’t want to just sell one book; I don’t even just want to sell one series of books. I am definitely looking forward to a long term career as a professional liar writer.

To that end, I am constantly looking to improve my writing and storytelling skills, looking for ways to make my story deeper, better, more resonant. I study books I love and books I hate. I study movies, and music, and the works of visual artists. Always searching for that bit of brilliance I might take home and use to make my own bower that much brighter.

I’m finishing up my first book and already have a rough outline for the second; I move back and forth between them, tightening and improving story lines, and searching for new ways I might make my readers cringe, or cheer, or cry. I want Pat Rothfuss to curse my name because I made him stay up till three in the morning reading my book. I want Neil Gaiman to read one of my stories and say, “Damn, I wish I’d written that.”

It’s very hard work. But I don’t just want to be a writer…I want to write.

Jai tu wai,

Debi