Tag: Song of the Sun Dragon

So begins THE FORBIDDEN KINGDOM (The Dragon’s Legacy, book 2)

The wind was born of a Twilight Lord, playing a seashell flute.  Webbed fingers strong and sure danced across the smooth shell as they had once danced across the skin of a human girl, delicate and sweet and all things good.  That girl was gone, just as the meat was gone from this shell, leaving only the memory of beauty and faint notes in the wind.  But the sea was still the same, and the song was still the same, curling round his heart thick and slow as the fog that shrouded the Sorrowful Isles.
Born of sea and sand and the cries of a wounded heart, the wind danced in rage and longing across the Sundered Sea, rousing the waves of Nar Kabdaan to wrath and ruin as they cast themselves, again and again, to die unmourned upon the heartless shores of Bizhan.  The waves were born, they struggled, they died, one after another like soldiers caught in a dream of war.
The wind was heavy with salt, and the dreams of sea-witches, and the tears of lost souls.  It struck at the jagged rocks, tore at the sharp grasses like a madman tearing at his own hair, it howled at the gates like the voices of a thousand ice wolves buried in fear, forgotten to legend, lost, lost, lost.
The howling woke the Halfkin Child, because the song of wolves round a campfire can never truly be forgotten by the children of Man.  The Child rose, he slipped from his bed and from his mother’s hearth and stumbled down the rocky path to the sea; and because he, too, could hear the howling of the wolves, could feel them singing in the shadows of his heart, the Twilight Lord put down his flute and swam to the shores of Man.  The moons were faded, half-empty and without power, but he had broken so many laws already that one more could hardly matter.
And besides, he told himself as he slipped through the water, I wrote those laws.  The Things that Dwell Beneath fled from his shadow, and the Two Sisters veiled their faces as he reared his sleek head above the waves.  The Child had nearly reached the water; so close was he that the fat little foot-prints filled with water as he passed, and glittered like abalone shells in the thin light.
The wind tore at the Veil, at weft and warp of land and magic. It tore and howled and raged just as the storm in his heart, but the moons were thin and weak, and laws older than his held it in place.

He could not pass. He could not…

But the Child could.

Ramblins and ravens

So, the fine folks over at the Grim Tidings podcast invited me to the rambling round table, and we had a delightful chat.

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The Grim Tidings Podcast with Deborah A. Wolf

We talked about the writing process, getting published, controversies in popular fantasy, and weiners.

We talked a lot about weiners.

Thanks for having me over, guys, I had a great time!

Jai tu wai,

Debi

Most Auspicious News

I am delighted to announce the sale of the first three books in my saga, THE DRAGON’S LEGACY, to Titan Books.

Congratulations to Deborah A. Wolf on the new book deal:

Deborah Wolf’s THE DRAGON’S LEGACY (Books 1-3), pitched in the tradition of Guy Gavriel Kay’s THE SARANTINE MOSAIC and the darker folkloric tales of ARABIAN NIGHTS: set in a desert world of sand and honey, the series balances and contrasts the grim with the wondrous, the heartbreaking with the humorous, and takes an unflinching look at real-world issues such as the plight of indigenous peoples in a world mad for power, to Alice Nightingale at Titan, by Mark Gottlieb at Trident Media Group.

Worldbuilding: Geek Love

Sharing a short excerpt from today’s worldbuilding exercise: I’m writing a concise history of Atualon.

The Wyvern’s Rebellion

Solarus ap Serpentus ne Atu, during a visit to the capital city of Khanbul, abducts the young Imperial Princess Zhaolin and installs her as his Consort. Emperor Pu Yet Sin seds his fifteen-year-old son Ghanzhi as an Imperial envoy to Atualon to secure her release or, failing that, demand an Imperial dowry and instatement of Zhaolin as Sa Atu. Ghangi, against his father’s explicit orders, demands his sister’s immediate and unconditional return, but Serpentus laughs in his face and tosses the Imperial Prince into the dungeons of Atukos.

When the Emperor learns of his son’s disobedience he disowns the boy and refuse to pursue the matter further. Imperial Prince Tiachu is named Heir and immediately challenges his father to mortal combat, which he wins. Emperor Tiachu then raises an army and sends it west to Atualon.

The Matreons of Atualon, fearing war, demand that the Imperial Prince and Princess be returned immediately to Sindan, and reparations paid as well.  But Solarus has already defiled the girl and it is reported that the boy prince has taken wetlung and is not expected to live.  The Matreons are divided in their responses to this outrage; some demand that Solarus be stricken from the line of succession, others that he be allowed to succeed his father but required to install the girl as Issa Atu and pay reparations to the new Emperor.  When Serpentus refuses to negotiate with the Matreons, the Matreons return to their Houses and take up the matter with their Patreons.

Several of the Houses issue a Denuntiatio, or formal intent to remove House Serpentus from the throne.  Serpentus declares all titles and lands belonging to the families whose Patreons have signed the Denuntiatio forfeit.  Houses Ursos, Equos, Corvos, and Wyvernos raise the standard of rebellion.

And that’s all I’m going to tell you, for now.

 

Jai tu wai!

Debi

The Forbidden Kingdom

Just a quick note to let you know that if you like THE DRAGON’S LEGACY, you are going to love The Forbidden Kingdom, Book 2 of THE DRAGON’S LEGACY.

Here’s a quick teaser:

Sundered

The wind was born of a Twilight Lord, playing a seashell flute. Webbed fingers strong and sure danced across the smooth shell as they had once danced across the skin of a human girl, delicate and sweet and all things good. That girl was gone, just as the meat was gone from this shell, leaving only the memory of beauty and faint notes in the wind. But the sea was still the same, and the song was still the same, curling round his heart thick and slow as the fog that shrouded the Sorrowful Isles.

Born of sea and sand and the cries of a wounded heart, the wind danced in rage and longing across the Sundered Sea, rousing the waves of Nar Kabdaan to wrath and ruin as they cast themselves, again and again, to die unmourned upon the heartless shores of Bizhan. The waves were born, they struggled, they died, one after another like soldiers caught in a dream of war.

The wind was heavy with salt, and the dreams of sea-witches, and the tears of lost souls. It struck at the jagged rocks, tore at the sharp grasses like a madman tearing at his own hair, it howled at the gates like the voices of a thousand ice wolves buried in fear, forgotten to legend, lost, lost, lost. The howling woke the Halfkin Child, because the song of wolves round a campfire can never truly be forgotten by the children of Man, no matter how deeply they hide it from their thick and stubborn hearts. The Child rose, he slipped from his bed and from his mother’s hearth and stumbled down the rocky path to the sea; and because he, too, could hear the howling of the wolves, could feel them singing in the shadows of his heart, the Twilight Lord put down his flute and swam to the shores of Man. The moons were faded, half-empty and without power, but he had broken so many laws already that one more could hardly matter.

 

Now, kindly leave me alone to write.

Jai tu wai,

Debi

There once were a bunch of WriMos…

I participated in my first writers’ group this weekend.

I attended a writers’ luncheon a few years back, but I would not say I participated.  For one thing, it was supposed to be a potluck, but besides my Pineapple Stuff (pineapple bread pudding, my usual what-the-hell-to-bring fallback), and perhaps some cheese and crackers, the other writers only brought coffee and wine.  I made a joke about how we as writers are supposed to avoid clichés, not live them, and was met with an awkward silence.

And then things got a little weird.

A few people stood up and read or recited some of their poetry.  Now, I love good poetry.  I don’t really get it—I fear I’m as deep as a mud puddle—and I can’t write it.  I can do a pretty good Robert Service type story with rhyme and cadence, and I can turn out a dirty limerick without a second thought, but real, true poetry is something I can only gaze at from afar.  If I hear a poem about a tree, I don’t think, “Wow, what a beautiful representation of the meaning of life well lived.”  I think, “Trees.  I like trees.”

The stuff my fellow writers were spouting left me sitting in the corner with that odd expression you get on your face when you’re sitting in a German pub and everyone else is smoking and speaking German, and you do neither.  Then someone got up and dragged in a tree branch they’d splattered with paint and strung with wire, beads, and what appeared to be a voodoo doll.  I took my empty casserole dish and never looked back.

But this group was different.  It was a local NaNoWrimo thing, and they were singing the song of my people.

NaNoWriMo, for those of you cursedly sane folks who have never heard of it, is an exercise in frustration, insanity, art, and the neglect of all things domestic.  The official definition is:

NaNoWriMo

National Novel Writing Month (NaNoWriMo) is a fun, seat-of-your-pants approach to creative writing. On November 1, participants begin working towards the goal of writing a 50,000-word novel by 11:59 PM on November 30.

You can learn more about NaNoWriMo here: http://nanowrimo.org/about

But I stand by my words.  NaNoWriMo is great for the coffee industry and possibly the whiskey industry, but not so great for family members who wish to be fed, driven to school, or spoken to during the month of November.

Yeah, yeah, cry me a river.

We were back in the woods, away from normal humans, just the way I like it.  Everyone spoke of their projects for November, and I really hope everyone finishes their stories because some fabulous ideas were presented.  Someone gave a little speech about worldbuilding, a topic new and fascinating to those who write literary fiction; we spoke of characters and plot, tension and frustration, exciting hooks and sagging middles.

I find that speaking with other writers is almost a meditative experience; I left feeling grounded, and validated, and excited about this year’s NaNoWriMo.

I will be working on Heart of the Forbidden City, Book 2 of Song of the Sun Dragon.  I will be drinking a lot of coffee, talking to myself, and probably losing a bit of sleep.

I will not be doing laundry.

 

Jai tu wai,

 

Debi