Tag: Split Feather

How I Write: Understanding (sort of) Dan Wells’s Seven Point Story Structure

So…story structure.

This is a topic that has been much on my mind as I tackle the second volume in my ridiculously huge saga of ginormous proportions and an unwieldy number of characters (otherwise known as THE DRAGON’S LEGACY volume 2: THE FORBIDDEN KINGDOM).

How does one tackle a project of this scope and insanity?

Well, of course with whiskey; that’s obvious, thank you. But what else?

I have heard that perhaps George RR Martin writes organically, that he’s one of those gifted souls who writes without an outline or a detailed road map or plan or anything.

Okay, yeah, Divines bless the man if this is true, but if I tried a stunt like that I’d end up like that young dude who gave up all his money and headed forth to go live in the wilderness of Alaska without a plan or a map or, you know, food.

Time was, I wanted to be a seat-of-my-pants writer. I wanted stories to pour forth from my heart like the moon puking up the Milky Way, to splash my sparkling words across the sky and watch them form amazing patterns before my eyes.

Then I started to take this shit seriously.

I am in no way denigrating ‘pantsers’. Dude, if you can write a brilliant book I don’t give a flying fuck if your method involves hanging upside down inside your closet while singing “Hallelujah” in a snide falsetto; you do you. But if *I* attempt to write anything longer than a dirty limerick without a blueprint, well:

I’m sure it’s art, but I don’t understand it.

I wish I’d known more about story structure when I began writing THE DRAGON’S LEGACY. It certainly would have been finished in less time, and the first draft would have been more gorgeous and less goatfuckery, for sure. But the second time round, when I was planning SPLIT FEATHER, I’d begun to see the light.

SPLIT FEATHER is a more straightforward story than THE DRAGON’S LEGACY, in pretty much every way. There’s a definite Hero’s Journey, a single POV, and nowhere near a fucktillion subplots. So it was a good story to practice laying out against a clear structure. While fleshing out chapters and scenes and all those things that make a garden grow, I found articles and books and videos about the Seven Point Story Structure of particular interest.

You can read about Dan Wells’s Seven Point Story Structure here:

Dan Wells’s Seven Point Story Structure

Or, like, a million other places on the web. Which you can find here:

http://google.com/

Ta daaaaah! Don’t get distracted by cat videos, though.

Seriously. Cute little fuckers. Also, that octopus with a coconut shell, right?

https://www.youtube.com/watch?v=pvzOAnfzR90

*ahem*

And now you can see why I need an outline…

AAAAAANYWAY.

Where was I? Introducing a thirty-fifth POV character?

No, I was not…because I have an outline.

As I was trying to fully and dutifully absorb every slender nuance of meaning that could possibly be found in discussions of this story structure—and maybe procrastinating a little, because starting a new book is scarier than that clown doll that I’m pretty sure is hiding under my bed—I was mentally using what I’d learned to break down THE HOBBIT into a seven point outline. I chose that particular book because I’ve read it well over a hundred times and know that story so well I can hold it in my mind and look at it from every angle.

Now. One of the things I love so much about THE HOBBIT is the writing. That story is my safe haven, even though every time I read it I end up eating so much bacon and cheese I gain like five pounds. I adore Tolkien’s storytelling voice, the way in which he speaks directly to the audience, and o! The lovely quotes! I ran across one particular quote, which seemed to fully describe a plot point.

Specifically, this was Plot Point One, the point in our story at which something within the protagonist responds to the Call to Adventure (pardon me whilst I mix and match my story structures, kiddos), and the quote was:

“As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of the dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.” ~JRR Tolkien, THE HOBBIT

 

And then something bookish woke up inside me, and I wondered whether I could find a quote that I felt best exemplified every beat in the story structure I was studying. This turned out to be surprisingly easy to do (even though I admit to having been so smitten with Tolkien’s words, once again, that I sat down with a plate of crisp bacon and sharp cheddar, and read the whole thing through again).

When I was finished, I thought the resultant outline was harmonious and elegant; better yet, if you read the selected quotes in order, they do a pretty good job of telling the heart of the story. My seven point breakdown of THE HOBBIT, using quotes from the book, ended up looking like this:

THE HOBBIT

Seven Point Plot Quotes

HOOK: “In a hole in the ground there lived a hobbit. Not a nasty, dirty, wet hole, filled with the ends of worms and an oozy smell, nor yet a dry, bare, sandy hole with nothing in it to sit down on or to eat: it was a hobbit-hole, and that means comfort.”

KEY EVENT: “Sorry! I don’t want any adventures, thank you. Not Today. Good morning! But please come to tea – any time you like! Why not tomorrow? Good bye!”

PLOT POINT 1: “Let’s have no more argument. I have chosen Mr. Baggins and that ought to be enough for all of you. If I say he is a Burglar, a Burglar he is, or will be when the time comes. There is a lot more in him than you guess, and a deal more than he has any idea of himself. You may (possibly) all live to thank me yet.”

PLOT POINT 1 (alternate): “As they sang the hobbit felt the love of beautiful things made by hands and by cunning and by magic moving through him, a fierce and jealous love, the desire of the hearts of the dwarves. Then something Tookish woke up inside him, and he wished to go and see the great mountains, and hear the pine-trees and the waterfalls, and explore the caves, and wear a sword instead of a walking-stick.”

PINCH POINT 1: “Fly, you fools!”

MIDPOINT: “It was at this point that Bilbo stopped. Going on from there was the bravest thing he ever did. The tremendous things that happened afterwards were as nothing compared to it. He fought the real battle in the tunnel alone, before he ever saw the vast danger that lay in wait.”

PINCH POINT 2: “By the beard of Durin! I wish I had Gandalf here! Curse him for his choice of you! May his beard wither! As for you I will throw you to the rocks!” he cried and lifted Bilbo in his arms.”

PLOT POINT 2: “I go now to the halls of waiting to sit beside my fathers, until the world is renewed. Since I leave now all gold and silver, and go where it is of little worth, I wish to part in friendship from you, and I would take back my words and deeds at the Gate.”

RESOLUTION: “So ended the adventures of the Misty Mountains. Soon Bilbo’s stomach was feeling full and comfortable again, and he felt he could sleep contentedly, though really he would have liked a loaf and butter better than bits of meat toasted on sticks. He slept curled up on the hard rock more soundly than ever he had done on his feather-bed in his own little hole at home. But all night he dreamed of his own house and wandered in his sleep into all his different rooms looking for something that he could not find nor remember what it looked like.”

RETURN: “Indeed Bilbo found he had lost more than spoons – he had lost his reputation. It is true that for ever after he remained an elf-friend, and had the honour of dwarves, wizards, and all such folk as ever passed that way; but he was no longer quite respectable. He was in fact held by all the hobbits of the neighbourhood to be “queer” – except by his nephews and nieces on the Took side, but even they were not encouraged in their friendship by their elders.

“I am sorry to say he did not mind. He was quite content; and the sound of the kettle on his hearth was ever after more musical than it had been even in the quiet days before the Unexpected Party.”

~JRR Tolkien, THE HOBBIT

Notice, if you will, that for Plot Point 1 I identified two quotes that I thought might showcase the Call to Adventure. This is true of every plot point; indeed, as I studied and thought about it, the quotes and points I chose might shift a scene or two. In this way I began to better understand this particular method of structuring a story.

AND THEN a thought occurred to me. One of the things I long to do is write beautifully. I wondered whether I could plan out a seven point story outline by thinking up quotes for my own story—ahead of writing any of it—and so build a blueprint not only of the actions and reactions I needed to lead Siggy from the darkness I’d dropped her into (that’s not a spoiler. I torment all my characters and always will.) and down the even darker path I’d chosen (I told you. Torment and wickedness.).

I can’t share the result here because SPOILERS, but the answer was a definitive fuck yeah. Not only did I have waypoints to keep me on track as I was writing, but I now had images and emotions and in some cases entire paragraphs or scenes to use as stepping-stones. Probably three quarters of the quotes I thought up using this weird method made it into the story, and the rest didn’t wander far from the trail.

I can’t ever show you the first novel I wrote–without an outline–because I burned that fucker with prejudice, but I can assure you that SPLIT FEATHER was a whole hell of a lot better as far as structure. For one thing…it HAS a structure. And it even tells the story I set out wanting to tell.

And that’s the whole point of this journey, innit?

Anyhow, yeah, that’s one of the weird methods I use when I’m planning and outlining and all that good stuff.

Procrastination is another huge part of my process.

…just sayin’.

I hope someone out there in the Nethersphere finds this moderately weird and maybe a little bit useful. For myself, I’m going to go think up some snarky, funny, depressing, devastating quotes and passages for my next book, THE FORBIDDEN CITY.

Since you’re reading this, I can reasonably infer that you are probably procrastinating, as well. My next bit of advice?

Get off the fucking Internet and go write, knucklehead.

 

Jai tu wai!

~Debi

 

Split Feather is SOLD!

I am beyond delighted to announce that my urban fantasy, SPLIT FEATHER, has been sold to Titan Books in a two-book deal by my rockstar agent Mark Gottlieb.

Book 1 is set to be released in May 2017, most likely under a pseudonym to avoid cross-genre confusion as the first book in my epic saga, THE DRAGON’S LEGACY, is set to release April 2017.

I am very excited to continue this journey with Titan Books, and especially with my Dark Editorial Overlord Steve Saffel.

Stay tuned for updates!

Jai tu wai,

Debi

How I got my rockstar agent

Well do I know the angst and anxiety that go along with being an aspiring author. As I am new to publishing, myself, but have already garnered some level of success (I did just sign my second multi-volume contract in less than a year) I’d like to pay forward a bit of the excellent advice that’s floating around out here in the help-me-o’sphere. And I’ll begin near the end, by telling you how I got not just an agent, but a rockstar agent with Trident Media Group.

Nothing Left to Lose

It took a series of disasters to knock me down to rock bottom, a dogged, desperate, forget-all-wisdom commitment to drop out of life for a year or so and finally write that book I’d been dreaming of for decades, and a good friend who believed in me when I couldn’t find the courage to believe in myself, but I’d finally done it: I had finished writing THE DRAGON’S LEGACY.

A Ridiculous Book

It was a bit of a ridiculous book, even by fantasy standards. I had a 170,000-word manuscript with two prologues and an unwieldy number of point-of-view characters. I knew my book had a lot going for it, but I also knew that it would be a hard sell in today’s market. In order to get the agent I needed, I would need to master the submission process.
I needed the perfect query, a persistent mindset, and maybe a little bit of luck.

The Perfect Query

Since this book would be an exceptionally tough sell, and because I am Queen of the Scatterbrains, I first set out to understand the submission process and get my ducks in a row. I’d been stalking researching literary agents for months, making short and longer lists of agents who represented books like mine. Some of these agents wanted ten pages, some wanted ten pages and a synopsis, some wanted fifty pages, some just wanted a query. I spent a couple of weeks reverse engineering successful query letters, struggling to transform the Gordian knot I called an outline into two pages of something that made sense, writing a synopsis (I’d rather be waterboarded than write a synopsis of a 170k word count multi-pov fantasy novel ever again, thank you very much) and saving the first chapter, first three chapters, first ten pages, and so forth in separate files. Then I created a spreadsheet of agents I would love to work with, their submission requirements, books they had represented, and what they were currently looking for. I felt that it was important for me not only to be able to describe my book, but also to show that I had done my research and was taking a professional approach to writing.

A Persistent Mindset

My initial goal was simple: I would query one agent a day, using my already-assembled materials, until I reached the end of my list of dream agents, and then I would start a new list. Though it was more than a little intimidating, I started with those agents who are known to be the very best in my genre, those who represent the books I love to read. I can’t say that I honestly believed I would get such an agent, but I’d never really believed I could finish this book, either, so what the heck.

A Little Bit of Luck

One of my favorite places to write is my local bookstore-slash-café. I was getting ready to send off a second round of queries, so I stopped in for a tub o’ coffee. They were brewing a new pot, so I had about two minutes’ worth of free time, and because of this I wandered over to the magazine section and picked up the latest issue of Writer’s Digest. In that issue I found a Literary Agent Spotlight:
http://www.writersdigest.com/editor-blogs/guide-to-literary-agents/literary-agent-spotlight-mark-gottlieb-of-trident-media-group
I thought I needed a grouchy old white-haired guy with a wrinkled sweater and a basement full of musty old books. This agent was young, and new, and…holy cow, he was with Trident Media Group, which was at the very pinnacle of my wish list. There’s no way, I figured, a novice author with a weird book could ever get such an agent. But I steeled my last nerve and submitted my query letter through Trident’s site. Then I refreshed my email inbox to make sure my submission had gone through.
There, not two minutes after clicking ‘submit’, was a request for a full manuscript.
After taking a lot of deep breaths, and with shaking hands, I emailed my entire manuscript to Mark Gottlieb…
…who took the weekend off to read it…
…by Sunday afternoon, Mark had finished reading my manuscript and sent me another email, this one indicating that he would like to speak with me regarding representation.
Within four months, Mark had sold THE DRAGON’S LEGACY in a three-book-deal to Titan Books; it will be released in hardcover Spring 2017. Less than a year later, my rockstar agent sold my second book, DAUGHTER OF THE MIDNIGHT SUN, also to Steve Saffel of Titan Books in a two-book deal, also set to be released Spring 2017.
Write a good book, write a good query letter, do your homework. And dare to dream big.